Dukas: The Sorcerer's Apprentice
Sofia Gubaidulina: "And:
the feasting at its height..."
UK premiere
(David Geringas cello)
(interval)
Szymanowski: Songs of an
infatuated Muezzin
(Jean-Paul Fouchécourt tenor)
Strauss: Also Sprach Zarathustra
Tadaaki Otaka and the BBC NOW kicked off with a well-organised and
thoroughly enjoyable account of Dukas' Sorcerer's Apprentice.
Their lively and disciplined playing freshened up a straighforward
approach to this well-worn music without needing to resort to radical
reinterpretation.
The TV cameras were switched off for the performance of Sofia
Gubaidulina's cello concerto, And: the feasting at its
height..., which followed. This was a shame, as dedicatee David
Geringas proved an eloquent, committed, and finally persuasive
advocate for the piece. Starting with fragments of disconnected sound
within the orchestra, the focus gradually moved to the solo cello who
wove a bewitching tapestry of sound with the orchestration gradually
becoming more coherent in support. Once reached, the climax was
powerful and satisfying. Delightfully crunchy playing by the
orchestra who seemed to draw inspiration from the soloist's passionate
performance. Most definitely a work I'm looking forward to hearing again!
After the interval Jean-Paul Fouchécourt joined the orchestra
for Szymanowski's Songs of an infatuated Muezzin. His light
tenor was rather lost in the expanses of the Royal Albert Hall and,
although the orchestra scaled back their sound quite a bit, he was
often inaudible against the typically lush wash of Szymanowski's
instrumental writing. He might have done better in a more intimate
venue with a scaled down orchestration. When he could be heard,
Fouchécourt showed he has a pleasing, lyrical voice and seemed
very much at home with the piece. A missed opportunity, I felt, but
perhaps the TV presentation will adjust the balance to bring out the
vocals more effectively.
To round off the evening we were treated to a full-blooded rendition
of my favourite Strauss tone poem, Also Sprach Zarathustra.
The Royal Albert Hall organ made a marvellous contribution in the
early stages, while the BBC NOW brass were the heroes of the
spine-tingling finale. Tadaaki Otaka led the orchestra through the
undualting contours of the piece with great assurance: giving them
their head in the climaxes and reining them in to a gentle lilt in the
quieter moments during which leader Janice Graham produced a
delightfully silky sound in her solo parts. The orchestral balance
was superb throughout, with impeccable string ensemble and perfectly
judged woodwind. All the players involved gave their all, and this
was altogether a truly thrilling performance!